Semi-structured Interviews on Music Experience in Psilocybin Therapy
Objective: Investigate how music influences the experience of patients undergoing psilocybin therapy for treatment-resistant depression through semi-structured interviews and phenomenological analysis
This is a Semi-structured Interviews on Music Experience in Psilocybin Therapy protocol using human as the model organism. The procedure involves 3 procedural steps. Extracted from a 2018 paper published in Psychopharmacology.
Model and subjects
human • 19
Study window
Estimated timing pending
Core workflow
Conduct semi-structured interviews • Apply interpretative phenomenological analysis • Rate patient responses on three dimensions
Primary readouts
- Salient themes identified through interpretative phenomenological analysis
- Patient ratings for liking of music
- Patient ratings for resonance (harmony with emotional state)
- Patient ratings for openness (acceptance of music-evoked experience)
Key equipment and reagents
Verified items
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Direct vendor links
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Protocol Steps
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Conduct semi-structured interviews
Administer semi-structured interviews to 19 patients undergoing psilocybin therapy for treatment-resistant depression, inquiring about the different ways in which music influenced their experience
Note: Interviews are semi-structured format
View evidence from paper
“Semi-structured interviews inquired about the different ways in which music influenced the experience of 19 patients undergoing psychedelic therapy with psilocybin for treatment-resistant depression”
Apply interpretative phenomenological analysis
Apply interpretative phenomenological analysis to the interview data to identify salient themes related to music influence on psilocybin therapy experience
Note: Analysis method for qualitative interview data
View evidence from paper
“Interpretative phenomenological analysis was applied to the interview data to identify salient themes”
Rate patient responses on three dimensions
For each patient, provide ratings for the extent to which they expressed liking, resonance (music experienced as harmonious with emotional state), and openness (acceptance of music-evoked experience)
Note: Three rating dimensions: liking, resonance, and openness
View evidence from paper
“ratings were given for each patient for the extent to which they expressed "liking," "resonance" (the music being experienced as "harmonious" with the emotional state of the listener), and "openness" (acceptance of the music-evoked experience)”